Watch The Glee Project Season 1 Episode 5 In Full Video
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Lindsay, a ready-made Rachel, has already ascertained that she's the best singer of the bunch. When the gang learns that its big number will be Katy Perry's "Firework," she smugly tells the camera that "it's a belty, fist-in-the-air anthem for people like me." As annoying as "The Glee Project" could have been, its first episode is compellingly simple, effortlessly accessing what remains of "Glee's" original appeal. It also provides some neat background about how the show's musical numbers are hastily recorded, choreographed and filmed. After a lot of "Firework" caterwauling and a music video shoot, three of the contestants are marked for elimination, which means they are each assigned a new song and have only two hours to practice before they must perform it for Murphy, who will send one of them home. (In a nice twist, this is done like it was in high school, with the dreaded posting of a cast list on the glee club bulletin board.) Poor Damian, who came up short on personality, is assigned a quite popular hit from 30 years ago. "I don't know what [this song] is," he says, listening to it with stupefied panic. "I don't know who sings it. I don't know how it goes." Some folks will never get enough of "Glee." I'm no longer one of those people. Yes, I still enjoy watching the talented "Glee" cast perform, but the storytelling on theFox series has suffered as the show's popularity has skyrocketed. CreatorRyan Murphy and Co. lost their way in Season 2, cramming episodes withTop 40 songs that didn't necessarily advance plots or explain emotions the way they did in Season 1. (Which wasn't perfect by any means, but at least was more consistent.) Also, many of the characters have become caricatures--Sue Sylvester, I'm talking about you. And the plots became so schizophrenic, with loyalties, attitudes and lovers flip-flopping so often that I half-expected Kurt to be gay one week and straight the next. Sorry, rant over. Needless to say, I wasn't all that excited about "The Glee Project" (8 p.m. June 12,Oxygen; * out of four), a new reality series in which 12 finalists culled from 40,000 applicants--as we're told several times, apparently to remind viewers why they should care--compete for a seven-episode guest spot on the musical comedy. Where have we heard this basic idea before? "The Glee Project" might be the 5,000th music reality competition on TV, so yay for the chance to hear more versions of the same five Top 40 songs fromLady Gaga,Katy Perry and others. Don't get me wrong; I love that Murphy casts such a wide net to find new talent that might never have a chance to be discovered. But "The Glee Project" feels like an exercise in ego for the folks running the show. There's a whole lot of playing to the camera going on amongst the professionals, especially from choreographer Zach Woodlee and Murphy himself. (Really, you're wearing a Rasta tam?) Casting director Robert Ulrich and vocal coach Nikki Anders come off much more grounded and sincere, trying to keep the focus on the kids and not themselves.
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